Post by MarkIn 25+ years of playing music professionally and seeing/hearing other
working groups, I've used and seen boatloads of JBL, EV, Carvin, Mackie,
Yamaha, TOA, etc. products....but have never once seen an HK Audio product
being used here in the states. Maybe they are so good only the best acts
can use them. But for the thousands of bands that work every night and
every weekend here in the states in local bars and clubs - well, I guess
those pro musicians don't know they aren't using 'pro audio' gear. I guess
one must be an elitist member of this newsgroup to be considered a 'pro'.
Odd really - you should be posting to a musicians group as you're not
interested in pro-live gear just playback stuff that flatters a pre-
produced sound, not provides live monitoring for live production. Also it
shows the difference between US and UK, US will buy a "made in US" product
first, and for mid level audio gear that's JBL, for high level it's Meyer.
For massmarket that's Bose. The UK will buy whatever fits the job best,
I've bought JBL for BGM applications, JBL subs, Bose 802s and 101s for
churches, but for live-sound we prefer the detailed and unforgiving sounds
of the european manufacturers, they don't flatter the mix but extract the
last inch of detail from it.
Post by MarkBTW - you guys making a lot of money here bantering about in the thirteen or
so messages blasting me since I last checked in here? Seems to me if you
all were that good, you'd hardly have the time for it. Sorry - but I've
been busy playing music and making money with my non-pro audio JBL EON 1500s
and my non-pro audio Yamaha EMX5000 board. I'm sure that's a piece of audio
shit too in your estimation......but funny, they seem to be selling so well
to working musicians that almost every major retailer of the them is having
a hard time keeping them in stock. Same with the JBL EONs. Funny how all
this non-pro audio gear is somehow finding its way into the hands of working
bands everyday. Go figure.
Nothing wrong with a small board, and it's not a mackie so you'll survive.
My rig is modest, I hire when I do big stuff. Done plenty of playback-type
gigs with Eons and a Spirit Notepad, and I have said previously I have got
some eons. The Martins are the bulk of my earning stuff though - and when
you listen side by side with Eons or even the SRX series they have a much
more detailed sound. A recording engineer wants to know what he's laying
down is spot on, a live engineer wants to know his mix is perfect. The
audience may not know it's slightly off but the engineer needs to.
You sound like you're a one-man-band, playback plus guitar / Vox type
thing. Go listen to a HK Elias or Lucas and run your playback through it
and you'll find the extra life in your sound. Spend a few hours with them
though - you've got used to the Eon sound and need to open your mind.