Raglan
2004-10-28 06:26:13 UTC
Hi
Grateful for some help. I recently bought a used Yamaha EMX2000
powered mixer without a manual. Figured out just about everything out
EXCEPT the limiter function, which is puzzling the hell out of me.
In the section labelled "power amp", the mixer has two little slotted
pots without knobs (accessible by screwdriver). Above them is the
label "limiter" and two LEDs. Between the two pots is the label
"level". The pots are calibrated from +18dB to +4dB (anticlockwise to
clockwise).
Now, I would have thought that these pots would set thresholds above
which a limiter would kick in, for speaker protection and the like.
The mixer's block diagram (which I've been able to find online)
implies that.
However, these pots don't seem to work like that. Instead, turning
them down (anticlockwise) reduces the output of the power amps, even
if the volume is already very low. It's as if they're simply extra
gain controls. What's the point of that?
Can anybody who knows the Yamaha EMX series clue me in?
Many thanks
Raglan
Grateful for some help. I recently bought a used Yamaha EMX2000
powered mixer without a manual. Figured out just about everything out
EXCEPT the limiter function, which is puzzling the hell out of me.
In the section labelled "power amp", the mixer has two little slotted
pots without knobs (accessible by screwdriver). Above them is the
label "limiter" and two LEDs. Between the two pots is the label
"level". The pots are calibrated from +18dB to +4dB (anticlockwise to
clockwise).
Now, I would have thought that these pots would set thresholds above
which a limiter would kick in, for speaker protection and the like.
The mixer's block diagram (which I've been able to find online)
implies that.
However, these pots don't seem to work like that. Instead, turning
them down (anticlockwise) reduces the output of the power amps, even
if the volume is already very low. It's as if they're simply extra
gain controls. What's the point of that?
Can anybody who knows the Yamaha EMX series clue me in?
Many thanks
Raglan